This common question is addressed to the producer [Kumar Mangat], director [Anil Devgan] and lead actors [Amita Pathak, Nakuul Mehta, Adhyayan Suman] of Haal-e-dil: What actually did you see in the script of this film? And the next question is for the writer [Dhiraj Ratan]: How could you pen this apology of a script? Sorry, let me alter the question: Do you know the basics of screenplay writing?
Aamir Khan has raised the bar with TAARE ZAMEEN PAR. Comparisons between Aamir and Ajay Devgan, who makes his directorial debut with U ME AUR HUM, would be erroneous, but you can't turn a blind eye to the fact that the viewer would expect an encore with U ME AUR HUM. Will U ME AUR HUM live up to the humungous hype and expectations? Does Devgan have the trappings of a fine storyteller? Oh yes, he does!
It would be wrong to slot KRAZZY 4 as a comedy. Sure, KRAZZY 4 remains faithful to the ongoing trend of providing laughs at the oddest of things, but it's more of a masala fare that's reminiscent of the 1980s cinema. Packaged in a modern avatar, of course.
Let's clear a misconception before we get down to reviewing SHAURYA. It's not a war film. It's not jingoistic. It doesn't spew venom on the neighboring country. It doesn't show mutilated bodies or blood-soaked faces and limbs.
